EXHIBITIONS

Isabel Riley: Time Mending Oct 17-November 22, 2025
Isabel Riley’s current body of work is the product of a complex journey, stitching together moments filled with memories, loss and the acceptance of time. Through her unique studio practice, these stunning new works contain a visual offering of both hope and joy. “These paintings continue to focus my attention towards reverence and devotion. The […]...

Tabitha Vevers: Flesh Memories, Remembered Sept 5th-October 11th
Vevers began Flesh Memories during a residency at the Virginia Center for the Creative Arts in 1993 and later expanded the series at the Fine Arts Work Center in Provincetown. She studied the fresco technique of painting into wet plaster at the Skowhegan School of Painting + Sculpture and later, Pre-Renaissance frescoes during travels in […]...

Ion Zupcu: Color Works
Ion Zupcu is a master of the pictorial stage. His stage does not have live actors, live audience or a theater, but Ion Zupcu certainly creates a lot of colorful drama. Zupcu constructs all of his work on top of a small table in his studio. His tools are paper, paint and scissors, and most […]...

Imi Hwangbo: The Diviner Series
Imi Hwangbo’s newest series of prints and constructed drawings envision a threshold to a space of reverie and invention. “The Diviner Series” expresses both unencumbered freedom and refined discipline through the artist’s labor-intensive practice. Hwangbo’s prints are made with the simplest of tools- a pencil, a ruler and evolve slowly over a period of months. Graphite is layered […]...

Marc Schepens: Stripers and Blues
Marc Schepens honors the power of nature and the hand-drawn line in his painting practice. To represent the presence of the ocean, Marc Schepens works directly on linen with oil and pencil, patterning broken lines that register light, weather, time, and movement. The formal qualities of line present the pretense of control over the ever-changing […]...

Meg Alexander: False Azure
Meg Alexander is drawn to the complex beauty of the natural world: a wave, a blossoming flower, a beaver dam decaying. Alexander’s observation and consideration of these singular moments allows her work to deeply explore the duality embedded in nature. Her medium may vary from graphite to India ink to color pencil, but her ability to capture […]...