EXHIBITIONS

Ion Zupcu is a master of the pictorial stage. His stage does not have live actors, live audience or a theater, but Ion Zupcu certainly creates a lot of colorful drama. Zupcu constructs all of his work on top of a small table in his studio. His tools are paper, paint and scissors, and most […]...

Imi Hwangbo’s newest series of prints and constructed drawings envision a threshold to a space of reverie and invention. “The Diviner Series” expresses both unencumbered freedom and refined discipline through the artist’s labor-intensive practice. Hwangbo’s prints are made with the simplest of tools- a pencil, a ruler and evolve slowly over a period of months. Graphite is layered […]...

Marc Schepens honors the power of nature and the hand-drawn line in his painting practice. To represent the presence of the ocean, Marc Schepens works directly on linen with oil and pencil, patterning broken lines that register light, weather, time, and movement. The formal qualities of line present the pretense of control over the ever-changing […]...

Meg Alexander is drawn to the complex beauty of the natural world: a wave, a blossoming flower, a beaver dam decaying. Alexander’s observation and consideration of these singular moments allows her work to deeply explore the duality embedded in nature. Her medium may vary from graphite to India ink to color pencil, but her ability to capture […]...

The fugitive landscape has been a consistent motif throughout Rinklin’s work. Rather than faithful representations of the natural world, her paintings manifest as illusory composites; environments situated between geographical, virtual, and psychic space. While witnessing the natural world changing radically in real time, Rinklin beautifully constructs a visual space in which both loss and comfort […]...

My current paintings are crafted using an accumulation of cast patterns and layer upon layer of sprayed pigment. Once a level of pattern density and color saturation is achieved, the surface is mechanically sanded. The sanding process both erases and retains visual information. What is lost in the process is the evidence of a sequential […]...