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EXHIBITIONS

Marc Schepens, Untitled (July 28, 2024), 2024, oil and pencil on linen, 72 x 72 inches

Marc Schepens: Stripers and Blues

Marc Schepens honors the power of nature and the hand-drawn line in his painting practice. To represent the presence of the ocean, Marc Schepens works directly on linen with oil and pencil, patterning broken lines that register light, weather, time, and movement. The formal qualities of line present the pretense of control over the ever-changing […]...
Window Strike #1 (Francesco Trogu) 2021 India ink on paper 5.5 x 7.5 inches

Meg Alexander: False Azure

Meg Alexander is drawn to the complex beauty of the natural world: a wave, a blossoming flower, a beaver dam decaying. Alexander’s observation and consideration of these singular moments allows her work to deeply explore the duality embedded in nature. Her medium may vary from graphite to India ink to color pencil, but her ability to capture […]...

CRISTI RINKLIN: Ecologies of Perception

The fugitive landscape has been a consistent motif throughout Rinklin’s work. Rather than faithful representations of the natural world, her paintings manifest as illusory composites; environments situated between geographical, virtual, and psychic space. While witnessing the natural world changing radically in real time, Rinklin beautifully constructs a visual space in which both loss and comfort […]...
Heather McGill, Periodic, 2023, pigment on panel, 35 1/2 x 27 1/2 x 2

Heather McGill: Flower Market

My current paintings are crafted using an accumulation of cast patterns and layer upon layer of sprayed pigment. Once a level of pattern density and color saturation is achieved, the surface is mechanically sanded. The sanding process both erases and retains visual information. What is lost in the process is the evidence of a sequential […]...
Rachel Hellmann, Angle Wind, 2023, acrylic on wood, 42 x 40 x 2 inches

Rachel Hellmann: Interweave

In her newest body of work exhibited in Interweave, Hellmann introduces mylar, fabric, thread into her painting practice. She is now physically layering her materials in order to achieve a more “present” object that examines the complexity of abstract space. Shifting layers of transparent mylar, sewn together with fabric both by hand and machine, articulated […]...
Candice Smith Corby and William Pettit, Sou-ven-ir Installation

Candice Smith Corby and William Pettit: Souvenir

Candice Smith Corby and William Pettit’s collaborative exhibition: Sou-ven-ir: A Collaborative Longing. This exhibition features excerpts from a larger installation featured at The New Bedford Whaling Museum reflecting the ebb and flow of whaling life, in their time and across time. From the artists’ personal experience of traveling back and forth, of missing one another, […]...
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